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	<title>Comments on: Erica Dawson&#8217;s Big-Eyed Afraid</title>
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	<link>http://criticalmiscellany.wordpress.com/2008/08/15/erica-dawsons-big-eyed-afraid/</link>
	<description>Commentary on contemporary poetry and related matters</description>
	<lastBuildDate>Mon, 15 Jun 2009 17:41:58 +0000</lastBuildDate>
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		<title>By: that ace kid</title>
		<link>http://criticalmiscellany.wordpress.com/2008/08/15/erica-dawsons-big-eyed-afraid/#comment-150</link>
		<dc:creator>that ace kid</dc:creator>
		<pubDate>Tue, 17 Mar 2009 18:51:07 +0000</pubDate>
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		<description>i like peanutbutter</description>
		<content:encoded><![CDATA[<p>i like peanutbutter</p>
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		<title>By: The False Divide &#171; Every Poet Needs A Patio</title>
		<link>http://criticalmiscellany.wordpress.com/2008/08/15/erica-dawsons-big-eyed-afraid/#comment-146</link>
		<dc:creator>The False Divide &#171; Every Poet Needs A Patio</dc:creator>
		<pubDate>Mon, 17 Nov 2008 14:37:20 +0000</pubDate>
		<guid isPermaLink="false">http://criticalmiscellany.wordpress.com/?p=51#comment-146</guid>
		<description>[...]  I was just looking at Quincy Lehr&#8217;s blog, The Belletrist, and ran across a discussion of how the tiresome free-verse-versus-formalist binary manifests itself in book reviews. Yes, let the barbaric yawpers of personal and artistic freedom continue to box, package, and [...]</description>
		<content:encoded><![CDATA[<p>[...]  I was just looking at Quincy Lehr&#8217;s blog, The Belletrist, and ran across a discussion of how the tiresome free-verse-versus-formalist binary manifests itself in book reviews. Yes, let the barbaric yawpers of personal and artistic freedom continue to box, package, and [...]</p>
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		<title>By: Robert Donohue</title>
		<link>http://criticalmiscellany.wordpress.com/2008/08/15/erica-dawsons-big-eyed-afraid/#comment-100</link>
		<dc:creator>Robert Donohue</dc:creator>
		<pubDate>Sat, 16 Aug 2008 01:30:24 +0000</pubDate>
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		<description>While A.E Stallings’s techniques can be traced back to the genres and styles of the 1590’s it’s wrong to hold this as a “gold” standard; different people have different perspectives. If formalist arguments have any real value, and I think they do, you will see them put to many services. I have not read Miss Dawson’s book, but I have read individual poems in journals and I am intrigued. A writer I have read, however, is Karen Volkman. While I think Miss Volkman’s work is vatic and silly, I do appreciate the effort she has made to put it into Petrarchan sonnets. Formalism should be like a wedding where everyone is invited.</description>
		<content:encoded><![CDATA[<p>While A.E Stallings’s techniques can be traced back to the genres and styles of the 1590’s it’s wrong to hold this as a “gold” standard; different people have different perspectives. If formalist arguments have any real value, and I think they do, you will see them put to many services. I have not read Miss Dawson’s book, but I have read individual poems in journals and I am intrigued. A writer I have read, however, is Karen Volkman. While I think Miss Volkman’s work is vatic and silly, I do appreciate the effort she has made to put it into Petrarchan sonnets. Formalism should be like a wedding where everyone is invited.</p>
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		<title>By: Rose</title>
		<link>http://criticalmiscellany.wordpress.com/2008/08/15/erica-dawsons-big-eyed-afraid/#comment-96</link>
		<dc:creator>Rose</dc:creator>
		<pubDate>Fri, 15 Aug 2008 16:44:00 +0000</pubDate>
		<guid isPermaLink="false">http://criticalmiscellany.wordpress.com/?p=51#comment-96</guid>
		<description>Correction: a whopping TWO quatrains.</description>
		<content:encoded><![CDATA[<p>Correction: a whopping TWO quatrains.</p>
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		<title>By: Rose</title>
		<link>http://criticalmiscellany.wordpress.com/2008/08/15/erica-dawsons-big-eyed-afraid/#comment-95</link>
		<dc:creator>Rose</dc:creator>
		<pubDate>Fri, 15 Aug 2008 16:42:58 +0000</pubDate>
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		<description>Wow, Tim, that&#039;s pretty extreme, especially considering you&#039;ve only read one quatrain of one poem. I can see it not being your cuppa, but why the hostility? Sometimes it takes a little time to appreciate someone&#039;s work when they&#039;re doing something very different from what you&#039;re used to.</description>
		<content:encoded><![CDATA[<p>Wow, Tim, that&#8217;s pretty extreme, especially considering you&#8217;ve only read one quatrain of one poem. I can see it not being your cuppa, but why the hostility? Sometimes it takes a little time to appreciate someone&#8217;s work when they&#8217;re doing something very different from what you&#8217;re used to.</p>
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		<title>By: Tim Murphy</title>
		<link>http://criticalmiscellany.wordpress.com/2008/08/15/erica-dawsons-big-eyed-afraid/#comment-94</link>
		<dc:creator>Tim Murphy</dc:creator>
		<pubDate>Fri, 15 Aug 2008 16:22:34 +0000</pubDate>
		<guid isPermaLink="false">http://criticalmiscellany.wordpress.com/?p=51#comment-94</guid>
		<description>This is the first Erica Dawson poem I have read, and it utterly grosses me out.  Quince, you know I am not just an old man despising the young, I bend over backwards for young poets.  I just hate to see techniques like rhyme and meter, which go back to prehistory, put to the service of this writer.  And I mean SERVICE.</description>
		<content:encoded><![CDATA[<p>This is the first Erica Dawson poem I have read, and it utterly grosses me out.  Quince, you know I am not just an old man despising the young, I bend over backwards for young poets.  I just hate to see techniques like rhyme and meter, which go back to prehistory, put to the service of this writer.  And I mean SERVICE.</p>
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